U is for Usimbiru Barbet
I used quite a few techniques from the monthly challenges with this fellow. Masking fluid (May) for the spots. Toothbrush splattering (March) to emphasize his spottiness and a dark shade (June) made up of two other colours.
Colours used: Viridian and Alazarin dark combo, Cadmium yellow light, Indian red.
Showing posts with label Monthly challenge june 2015. Show all posts
Showing posts with label Monthly challenge june 2015. Show all posts
Thursday, 3 December 2015
Tuesday, 30 June 2015
isabella kramer week #27
Hi pals, june is over and here is my contribution to Olivia's Challenge "wash with black made with colors". In my color card you can see which colors I've used:
DS OCHRE - ORGANIC VERMILLION and WN ANTWERP BLUE
Mixing all 3 colors together create a really deep and dark tone.
I use these fantastic discoveries in a new painting for my "urban moments" series. I hope you enjoy it.
2015 © ISABELLA KRAMER
URBAN MOMENTS - 2
SIZE: 26 in. x 22 in. -66 x 56 cm
PAPER: FABRIANO ARTISTICO - ROUGH 640 g/m²
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Monday, 29 June 2015
Tricia met the monthly challenge !
Tricia Ross met the monthly challenge !
Black
I found there were so many different combinations of colour that could be made into black.
Here are just a few I tried....
I decided to use Art Spectrum (Australian watercolour paint) French Ultramarine & Burnt Sienna for my choice of black....I found it gives a beautiful soft grey through to an intense black...
Black is not a colour I use a great deal but use it when I paint birds which are have a lot of black in their feathers.....this is the combination I use.
I have used only these two colours in this experiment & just a few lines of gold...
thank you dear Tricia and bravo !!
Friday, 26 June 2015
Judy met the montly challenge !
Judy Barends met the monthly challenge !
When I read about the June challenge about mixing black with colours, I immediately thought about the mix of burnt sienna and ultramarine blue. As if by magic, these two colours mix to a dark brown/black, much darker than each of these colours on their own.
To show this magic I made a colour chart. On top you see ultramarine and burnt sienna mixed. In the middle: phtalo blue and burnt sienna. As you can see the mix is not as dark. And at the bottom a mix of indigo with burnt sienna, just for comparison.
Both ultramarine blue and burnt sienna are granulating colours, that I like very much.
I made a painting, just using the two colours.
My blog: www.dedraadaquarellen.
Thank you and bravo to Judy !! :)
Monday, 22 June 2015
Fita met the monthly challenge !
Fita Suarez met the monthly challenge !
I have proved combinations of color to obtain an almost black one, always starting off of color ÍNDIGO, in my opinion a very powerful color:
1. I + Indian Red....................... It gives a very opaque color, by the characteristics of the Indian Red
2. I + Perylene Green.............. The mixture it tends to be transparent the green one
3. I + Winsor Red Deep........... It gives a quite dark black
4. I + Gray Payne..................... It is a black with cold predominance
5. I + Vandyke Brown ............. Enough dark and compensates the blue one
6. I + Burn Umber ....................A deep black does not get to obtain itself
Always Winsor & Newton. Attached image 1
I have applied the mixtures 1. 3 and 2 (from left to right, in the bottom of this little note :“3 llimones amb fons fosc”(3 lemons with dark background) Image 2, 3 and 4
I have applied the mixtures 1. 3 and 2 (from left to right, in the bottom of this little note :“3 llimones amb fons fosc”(3 lemons with dark background) Image 2, 3 and 4
Clairefontaine paper, coton 100%, grain fin, 18 x 24 cm (reused)
Thank you for those wonderful experiments Fita !!
Thank you for those wonderful experiments Fita !!
Thursday, 11 June 2015
Lori Bentley Week #24
Black headed Jay
This bird was presented as a challenge to a facebook group I belong to called "paint colourful birds for fun". It was started and administered by Gerard Hendricks who is an amazing watercolourist. I was intrigued by the checkboard pattern on the wings, which I failed to depict very accurately because by then I was involved in getting the black colour without using black. I used Viridian and Alazarin Crimson to create a very dark grey and helped it along with a tough of indigo over the top.
The light purplish grey on the back was achieved by mixing Cobalt violet light with Cobalt turquoise light.
This bird was presented as a challenge to a facebook group I belong to called "paint colourful birds for fun". It was started and administered by Gerard Hendricks who is an amazing watercolourist. I was intrigued by the checkboard pattern on the wings, which I failed to depict very accurately because by then I was involved in getting the black colour without using black. I used Viridian and Alazarin Crimson to create a very dark grey and helped it along with a tough of indigo over the top.
The light purplish grey on the back was achieved by mixing Cobalt violet light with Cobalt turquoise light.
Tuesday, 2 June 2015
June 2015 wash a month challenge : wash with black made with colors
June 2015 wash a month challenge : wash with black made with colors
How do you make black without black painting ?
Défi de juin 2015 : " wash " avec du noir fabriqué avec des couleurs
Comment fabriquez-vous du noir sans utiliser la couleur noir ?
for me...with indigo and van dyke brown ( and red ? ;) )
If you'd like to share your own experiments on this challenge with all of us, please send an email to Olivia, attach your pictures ( 3 pictures per experiment maximum ), include a few words about your watercolour experiments and your website or blog link ( for example: paper used, colour and make of paint, technique).
Olivia will put your work on line on this page.
Contact : olivia.quintin@gmail.com
Thank you and have fun :)!
Si vous voulez partager vos expériences avec nous dans ce défi, vous pouvez envoyer un email à Olivia, en mettant vos photos en pièces jointes ( 3 photos maximum par expérience ).
N'oubliez pas d'y ajouter un petit texte expliquant votre expérimentation ainsi que le lien vers votre blog ou site ( par exemple, quel papier a été utilisé, procédés techniques , quelles conclusions vous en tirez ...).
Olivia se chargera de mettre vos travaux en ligne.
Contact : olivia.quintin@gmail.com
Merci et amusez-vous bien :)!
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